As we know that Microphone is an important part that helps us to record voice or use it as a wireless mic for better communication. In this blog, I have listed the top five Best boom mic 2021. Please go through the full blog to know more about it.
|1. Shure SM57-LC Microphone||Nice Recording Quality|
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|2. Sennheiser MD421-II Cardioid Dynamic Microphone||Portable|
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|3. Audio-Technica AT8035 Shotgun Microphone||Cheap and Affordable|
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|4. Shure SM7B Vocal Dynamic Microphone||High-Quality Recording|
Affordable and Cheap
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|5. SHURE SM-57||Great for Live Performance|
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1. Shure SM57-LC Microphone
Mid Range Cardioid Dynamic Mic, Unidyne III Withstanding Voltage of Phones 150 V, Frequency Response 40 to 15000 Hz, Impedance 200 ohms, Sensitivity -56 dB, Dynamic Type Mic, Includes Stand Clip
The Shure SM57 is one of the most popular microphones in the world. It’s a cardioid dynamic mic that works well for just about any kind of voiceover or speaking application. The frequency response includes 40 Hz to 15 kHz which manages to pick up all kinds of frequencies making it great for all kinds of talent.
What We Like About The Shure SM57-LC Microphone To start, this is a legendary microphone. Sound engineers have been using it since the 1970s when it was first used in the studio with Peter Frampton and Cheap Trick. If you want to know what it sounds like, listen to music from those bands. It gives a classic warm tone that helps projects come across as clear and professional.
What We Don’t Like About The Shure SM57-LC Microphone With any mic of this nature, there are always going to be some cons. In the case of the Shure SM57 LC, they aren’t bad enough to keep us from recommending it. For some applications, the mic requires a bit of EQ work on your end to blend with other source material. It’s not a deal-breaker on the full package, but something to consider if you have an unusual application.
- Perfect voice recording
- Nice Frequency
- Stable and Lightweight
- High price
2. Sennheiser MD421-II Cardioid Dynamic Microphone
Dynamic super-cardioid microphone, Frequency range 40 to 15000 Hz, Impedance 300 Ohms, Sensitivity -56 dB /-54 dB /-58 dB switchable, Distortion <1% (EIN), Equipped with hum compensating coil
The Sennheiser MD 421 II is a classic microphone made famous by the Rolling Stones to capture vocals. From then on, it has gone on to be used in countless other applications making it one of the most versatile pieces of equipment ever made. The frequency response is wide enough to accommodate all kinds of projects and pick up low frequencies.
What We Like About The Sennheiser MD421-II Cardioid Dynamic Microphone The Sennheiser MD 421 II is all about versatility. You get the power of a cardioid dynamic mic while simultaneously having the ability to switch between three different patterns. This means you can use it for just about any application, recording vocals or sound effects with equal ease.
What We Don’t Like About The Sennheiser MD421-II Cardioid Dynamic Microphone, To be honest, not very much. The Sennheiser MD 421 II has one of the largest frequency responses of any mic in our lineup which allows it to pick up more detail than most other models. It’s great for recording music or sound effects depending on how you use it. The only thing to keep in mind is the price tag which comes in at over two-hundred bucks.
- Cheap and Lightweight
- Noise Cancellation
- Great quality voice
- Frequency is not accurate
3. Audio-Technica AT8035 Shotgun Microphone
Phantom powered XLR condenser microphone, Cardioid polar pattern, Frequency response 20Hz to 20kHz, Includes 5/8″ – 27 threaded stand adapter, Comes with guestimation and technical manuals
Audio-Technica is a staple in recording studios for a reason. It has a wide frequency response that goes from thirty Hz to 20 kHz allowing it to pick up deep bass along with high frequencies without any issues. The cardioid polar pattern helps reduce background noise while the small size makes it perfect for single-person applications.
What We Like About The Audio-Technica AT8035 Shotgun Microphone If you’re looking for something that’s going to be great when recording sound effects or vocals, then look no further than this microphone from Audio Technica. You get a full-bodied sound quality with enough detail to pick up spoken words with accuracy no matter where they come from. It also has a variety of mounting options that typically come with this sort of mic, making it easy to find one that will work.
What We Don’t Like About The Audio-Technica AT8035 Shotgun Microphone There are some issues when using the Audio-Technica for recording live music. That’s because the bass frequencies tend to get lost even though the high end comes across crisp and clear. It’s great for atmospheric effects or anything sound effects-related since you can tweak them without losing any quality. Plus, there is no noticeable coil hum which is always a plus when it comes to low noise applications like recording dialogue in a sound booth.
- Affordable and Lightweight
- Amazing Quality
- Noise issue
4. Shure SM7B Vocal Dynamic Microphone
Dynamic microphone, Frequency Response 50Hz – 20kHz, Includes foam windscreen and storage/carrying bag
The Shure SM7B is another classic microphone that has been used for more than three decades to record vocals. It sounds great with female vocals, but some people complain it lacks the low end of other microphones like this one. You can always EQ it without any issues since there’s very little distortion even at high volumes.
What We Like About The Shure SM7B Vocal Dynamic Microphone This makes a solid choice if you’re looking for something to reduce room noise while recording vocals inside your home studio. It has an impressive frequency response rate of fifty Hz to twenty kHz so it works well with many different types of music. That makes it a decent pick if you want something versatile and don’t plan to use it for recording sound effects.
What We Don’t Like About The Shure SM7B Vocal Dynamic Microphone It’s not the cheapest mic on our list coming in at around three-hundred bucks, plus there are some issues when recording with this since the low end is weaker than other microphones. If you’re looking for detail, then this certainly delivers, but many people who own this microphone complain about the lack of bass which is usually present even during live performances. Still, this shouldn’t be much of an issue since you can control your EQ easily without any loss in quality.
- Best noice cancellation
- Not good for live performance
5. SHURE SM-57
Dynamic microphone, Frequency Response: 40 Hz – 15 kHz, Includes foam windscreen and storage/carrying bag. Cardioid polar pattern reduces pickup of unwanted sounds from the sides and rear, Supports high sound pressure levels up to 150 dB without distortion, Less susceptible to bass-reflex feedback due to pivoting cartridge design
The Shure 58 is a classic microphone that has been used for decades by professionals all over the world. It’s most notably known for recording guitar amps which many modern studio engineers swear by, but it can also be used on percussion instruments or even as a room mic during live performances. The frequency response is impressive with this one at forty Hz to fifteen kHz so you’ll get just about anything you want as long as it’s in that range.
What We Like About The Shure SM-57 Dynamic Microphone This is a solid choice for live performances and speeches, but if you’re looking to use this indoors then you might want to try something like the Rode NTG4+ first and see how it works since this has a tendency to pick up room noise during any recording session. Vocals come out clear with little distortion even when you turn them up high, plus users love how well this microphone holds up over time without any issues even after constant abuse.
What We Don’t Like About The Shure SM-57 Dynamic Microphone The price of this microphone varies depending on where you purchase it from, but it typically sits at just above the one-hundred-dollar mark which is pretty reasonable for what you get. However, keep in mind that this requires more gain than other microphones so if your preamps are not up to par then there’s a good chance you won’t be able to use it. For some people who already own low-end equipment, it might be better to look elsewhere since this does require some decent hardware so it can give you what you want.
- Great Voice Recording
- Best choice for live performers
- Price is high
Buying Guide: How To Choose The Right Microphone For Your Voice
Before you can buy any microphone, you need to know what type of sound you’re looking for. If your voice is not that great then there’s no point in spending a ton of money on one that will make it worse. Here are some basic things to keep in mind when shopping around:
1) Make sure your recording space is quiet with minimal echoes and find out how many dB SPL (sound pressure level) your room requires. You should look for an average of -60dB SPL, but if you want to record at home then use these online tools to see how much noise pollution is present.
2) Do some research on the mic that you’re interested in to see if it’s ideal for your voice. For example, a microphone with a cardioid pickup pattern is best used for podcasts and interviews since it only records sound from a single direction. Then there are omnidirectional mics that pick up sounds from all around them so they’re great for most types of recording.
3) Make sure that the frequency response of the mic you want falls within your ideal range since this will affect how natural it sounds when speaking into it. Plus, you should try out different mics at home before making a purchase just to get an idea of what works best for you.
4) There are mics that come with various polar patterns so they pick up different frequencies from the sound source. A standard cardioid directional mic with a flat frequency response sounds great when recording most instruments and it’s considered the industry standard for nearly all professional studios.
5) Lastly, you should always try to get a mic with low noise components since this will make your voice sound more clear when speaking into it without causing too much background interference. If your preamps are good then you’ll be able to achieve high volumes of SPL without having to worry about distortion or unwanted noise in your recordings. [ARTICLE END] [VIDEO START] [VIDEO FINISHED] Now that I’ve shared what my opinion is on each microphone, which one do you think would work best for you? Let me know in the comments below! -Michael W. Dean for The Microphone Hunter
As always, the microphones in this post are fine choices for voice work. If you’re looking to invest in one that’s not too expensive then the Yeti might be best since it comes with multiple polar patterns that can pick up vocals well even in noisy surroundings. However, if you recently bought a new DAW and want a great standalone mic then any of these would serve you well as long as they can fit into your budget. Thanks for checking out my article on the best boom mic 2021, I hope this was helpful to those who wanted to learn more about recording equipment. Please feel free to leave any comments down below and let me know what else you’d like me to cover! Also, take a look at some other articles from The Microphone Hunter that might be helpful:
Q) What’s a pop filter and what can it do for you?
A) A pop filter is something that mounts directly in front of the microphone to let you speak into it without too much popping noise. This occurs when there are big bursts of air pressure from your lips which cause water particles in the atmosphere to condense. It’s basically like spitting but not nearly as disgusting since saliva isn’t reaching anyone else’s face!
Q) How do you record your voice at home with just an entry-level mic?
A) I use a cheap Behringer C-1 USB mic that has three polar patterns (cardioid, Omni ,and figure eight) so I can switch depending on the situation. Plus, it has a low-cut filter which helps cut back on any annoying sounds around me like cars and people talking loudly even though I’m recording with headphones on.
Q) What’s the difference between cardioid and omnidirectional polar patterns?
A) A cardioid pattern picks up sounds directly in front of the mic while an omnidirectional one picks up sounds equally from every direction. That is unless you’re close to it then it’ll act just like a cardioid pattern since proximity will cause sensitivity to increase. It isn’t as sensitive so direct noise won’t affect it as much when recording at home or in professional studios if you have acoustic padding all around your room.